Tuesday Meld

Just a few notes on recent items & events:

• The much, much, much too-hyped CNN-YouTube debate for the Democratic presidential nominees wasn't the failure some predicted it would be, but it wasn't the political watershed moment CNN would have you think it was either. The big winner from last night? Democrats generally. With the Republican version not happening until September, the Dems will get almost two months of credit for engaging "the public" directly. The Republicans, however, are going to get crucified when their questions get sent in; by September, the schisms within the party will be plain and the calls for blood will be positively choral.
• You Jane Austen fans out there might appreciate this. In the Google age, this is inexcusable and should send more than a few heads rolling.
• The Guardian put together its list of the fifty greatest film comedies. Note some of the really bottom-of-the-barrel inclusions. We'll see if The Simpsons Movie makes a future version, but if the Guardian review is any indication, it will be; the review falls somewhere between supplication and fellatio.
• I will not link to any item about the LiLo fiasco. Period. I will only add this: given the paranoiac effects of alcohol and cocaine, and her constant realization that yes, she is being hounded everywhere, one should hardly wonder why she keeps going on and off the, ahem, rails. Remember the old adage: Just because you're paranoid, doesn't mean that no one's following you.
• Recent online discovery: this wonderful reflection by the great lyric critic Helen Vendler. Pious Labours, especially: as RK would say, RLAID; read, learn and inwardly digest.
• After being reminded recently of Northrop Frye's The Well-Tempered Critic, I decided the other day to reread it in its entirety--- and which I did, in one sitting over pints at one of my locals. The first essay I'd still encourage everyone, of literary bent or not, to read & re-read & re-read yet again: it's brilliant, central and more valuable now than when it was written those forty-plus years ago. It also reminded me why I loathe the current critical trend to discuss literature as "discourse." Discourse, in its current usage, is really just an attempt to conflate the various areas of critical distinction which Aristotle rightly separated: the ethical, the rhetorical, the poetical. It also conveniently allows lit-critters to say and to write whatever the hell they want, regardless of disciplinary considerations, while guising it as scholarship. In short, it's a license to bullshit and has been used, egregiously, as one. No wonder I wince when I see the word in any scholarship in the past forty years; it has become meaningless, save to say that it indicates and enables pretentious prognostication of the broadest order. We'd do well, I think, to re-read our Aristotle--- without the commonplace sniggering about the convenient compartmentalization of elements.

Hair shorn and beard gone, believe it or not, I have been shocking the hell out of people lately. Further to the Ripley's file, from a young woman the other day: So how old are you? 22, 23?

If only, dear lass, if only....

It's, Like (You Know), Unmitigated Bullshit (updated)

Here's the biggest, steaming, corn-infested lot I've seen in some time.  Key quote:

Parents may gnash their teeth, but language scholars like like.

"It's a shame this poor little usage gets such a bum rap," says Jennifer Dailey-O'Cain, an associate professor at the University of Alberta in Canada.  Dailey-O'Cain, who has published an often-cited study on the use of like, says, "It's innovative, it serves a particular function and it does specific things that you can't duplicate with other quotatives."

Someone needs to revoke that woman's tenure-- even if it is at U of A.

FOLLOWUP:  I mentioned Frye in the comments.  Here's a good example of the sort of thing I'm talking about, and for which the common usage of "like" is cognate:

The other day a student came to consult me about a failure in English, and what he said, as I recorded immediately he left, was this:

Y'know, I couldn't figure what happened, cause, jeez, well, I figured, y'know, I had that stuff cold-- I mean, like I say, I'd gone over the stuff 'an figured I knew it, and-- well, jeez, I do' know.

I submit that this is not prose, and I suspect he had failed because he had not understood the difficulties of translating his speech into prose.  He was, of course, "taking" English.  But English was not taking him: fifteen years of schooling had failed to make any impression on his speech habits.

(Northrop Frye, The Well-Tempered Critic)

(That speech, by the way, I heard, in one form or another, countless times in my day.)  With Dailey-O'Cain and those who concur with her, we have academics acting as apologists for filler "language," for the babble of syllabic fumbling and stumbling.  In short, it's the evidence of inchoate thinking-- and a result of untimely and ill-considered expression.  So, yes, if you will:  like is, quite literally, a premature ejaculation.  Something to consider, non?

You have to love the (Groucho) Marxist turn by Frye there: "But English was not taking him."  Alas, English isn't taking a great number of its students these days.... 

The Loneliness of Muggles

As you ought to have expected, the pending release of Harry Potter and the Deathly Hallows has finally started to elicit the "Harry Potter's killing literature" laments.  Here's one example.  I think, as usual, such rueful assessments diagnose the symptoms rather than the disease.  So what is this disease?  Glibly put, autophobia.  Western culture has become profoundly terrified of solitude; people have become so deeply afraid of being alone with themselves that they do everything they can to salve that loneliness, as MySpace, Facebook and other such systems attest all too well.  Reading, however, is a solitary activity (at least most of the time).  It demands concentration, patience and the willingness to be alone with just a book and oneself.  That's why reading and literature have suffered so much in this age in which technology means we never have to be totally alone. 

So why is the Harry Potter series such an exception?  Because it has become a kind of cultural juggernaut that familiarity with it enjoys one into a huge company of others with conversational currency.  It is, after all, the same thing we've seen time and time again over the years-- with Star Wars, E.T., The Lord of the Rings and even specious phenomena like Survivor and The Apprentice.  The Rowling books really offer very little insight about literature or about reading and encouraging people to do so; they're symptomatic of a different cultural loneliness that I'm beginning to believe may now be beyond treatment.  (Just think of the books' overarching premise: the maturation of a lonely, unappreciated boy into a powerful, destined wizard.)  To read the Potter novels at this point is to participate in a collective activity rather than an individual one, and that I think makes all the difference.  To read them means to remain current, to engage in a cultural process with others, and, in a curiously utilitarian way, to keep from being on the outside of something deemed to be culturally significant.  I'm sure many out there are genuinely interested in what will happen in the last book, but the "must-read" status it has acquired seems to confirm the autophobic anxiety.  And yes, it's ironic that the Global Village of networks, connections and "friends" has exacerbated this endemic loneliness, but-- as Henry James, that great defender of loneliness, would say-- There we are.   

We'd do well, however, to remember James' caveat in this regard:  "Deep experience is never peaceful."  There's precious little more genuinely turbulent than solitude, and until we embrace solitude-- to cherish it, to appreciate it-- literature will continue to suffer.  And it'll have nothing to do with Harry Potter whatsoever.

Terry, Terry, Quite Contrary

After what had seemed to be some indications of cranial-glutimal extraction, Terry Eagleton has firmly burrowed his head right back between his buttocks.  One presumes he saw his shadow, so prepare for six more years of academic winter.

For a good response to Eagleton's whingeing piffle, see here, especially for this lovely little question: 

The very greatest writers among all these seem to be on the “bad” list. Is it possible that Professor Eagleton’s political views are simply not that attractive or intelligent?

Also, savour this older consideration of Eagleton's profligate vapidity.  This blog can't help but delight to this assessment:

Yet no one acquainted with the intellectual habits of academic Marxists will be surprised to discover that they are as unfazed by contemporary world events as they always have been by their own tartuffian buffonery.

Marxist literary critics of the world, Unite!  You have nothing to lose but your perpetually-victimized brains. 

Shiver Down The Backbone

Consider this proof-positive that bravery and outright lunacy are usually the same damned thing:

But yesterday, protected by nothing more than a pair of Speedo trunks and his extraordinary central heating, Lewis Pugh took the plunge and became the first man to swim at the North Pole.

The 36-year-old Londoner spent almost 19 minutes at minus 1.8C as he front crawled for a full kilometre - more than half a mile in the coldest water a human has ever swum.

With video and squirm-inducing picture (er...) "goodness." Frankly, I'm not sure what's more chilling: the feat, or the sight of this dude in a speedo.

Key quote: "I will never give up in front of a Norwegian!" Oh, those damned Norwegians!

A Brock and a Hard Place

Consider it a timely reminder that American shouldn't invade places they know nothing about.  Or aboot.

(And yes, only Canuckis will get the title of this entry.  But, boy, will they get it.)

Honesty Shmonesty

Graduates around the world are utilizing the skills they gained from their Bachelor of Arts Degree from ****'s Faculty of Arts. We want to know how your degree helped you get to where you are today.

Simply answer the following question for your chance to win:
How did your Bachelor of Arts degree from ****'s Faculty of Arts prepare you for your future?

I will not laugh hysterically, I will not laugh hysterically, I will not laugh hysterically. Discretion is indeed the better part of valour....

Bastards and Disasters

Not often I find myself agreeing with Camille Paglia, but with her response to this letter, I do, at least in part:

The teaching profession in the humanities has lost an entire generation of smart, imaginative young people who were driven away from graduate school because of its infestation by pointless, pretentious, Continental "theory." What a disaster for American intellectual life!

Not much will change until the oppressors (my baby boom generation of trend-chasing p.c. faculty) retire over the next 10 to 15 years. Then perhaps young people can begin to breathe free and reclaim their own originality.

It's hardly worth restating my issues with the farcical nature of most areas of academia, but it's worth clarifying that the theory is less the problem than the professional marginalists who have built their own hectoring intellectual hegemony upon railing against hegemonies. (Yes, it's an awful sentence, but trudge it through. I think it scans-- eventually.) Academia lost its sense of humour, particularly as it invested itself so heavily in the turgid promises of professionalization. It became joyless, self-justifying, and spectacularly onanistic. I am repeatedly told by more optimistic people that Things Are Changing, but I remain unconvinced. In fact, I suspect things are only going to get worse, particularly as the current power-holders realize there's dissent in the ranks. (It's the lesson of Robespierre.) But I do agree that, probably within the next 20 years, things will change and a great sigh of relief will emanate from the once-hallowed halls. How many fine minds, however, will we have lost in the meantime? That, I think, is the quiet cost, the collateral damage, of which no one speaks. Except, of course, for recalcitrant bastards like YT. Now gods stand up for....

Mediaeval On Your Ass, or Rag Mama Rag

Just when you thought crappy writing was a bad thing....

The Asset-Minded Professor

Something says I should direct your attention to this.  Why?  Because, er, um, well.... *rolls eyes impishly and steps gingerly away* 

Key, unbearably putrid quote:  "Love is a flame, and the good teacher raises in students a burning desire for his or her approval and attention, his or her voice and presence, that is erotic in its urgency and intensity."   Someone clearly wants PILF added to your vocabularies.

Not Malice, But Pause

Sometimes, I think it'd be a worthwhile project to compile a list-- a volume perhaps?-- of lamentable, and eventually disproven, assessments in history. It's an idea some of us have casually, as when we first come across Neville ("Peace In Our Time") Chamberlain or first read Tolstoy's implausibly inane assaults upon King Lear. Sometimes, though, it's curious how some people, people normally known for astute and prescient observation, could ever get things so wrong. Thought first came to mind some time ago, when reading through Philip Larkin's All What Jazz and realizing how badly he'd judged the then-young talent named Aretha Franklin; and then again when rereading Kenneth Tynan, when he said that Alec Guinness would "illumine many a blind alley of subtlety, but blaze no trails." Tynan hadn't seen the Peter Sellers effect yet, much less the Jerry Lewis or Dustin Hoffman ones, and Larkin would probably shrink to see the influence of Ms Franklin (aka, "The Queen of Soul"). One then remembers how many publishers rejected A Portrait of the Artist as a Young Man, and how the Hearsties so savagely railed against Citizen Kane. Not all such idiocies occur contemporaneously and can be corrected with the sleight of "20/20 hindsight." Think of Elvis Costello's-- probably drunken-- dismissal of James Brown as "a jive-ass nigger" and Ray Charles as "a jive-ass, ignorant nigger." (Costello apologized shortly later, but he still regrets it, deeply, and not just because of the vileness of the language.) One could go on and on, so-- mercifully for you-- I won't. But it's a tempting prospect: Greatest Boners By Our Ostensibly Greatest Figures. It's an idea I entertain not with malice, but with pause. We need always to remember that even the smartest, sharpest and most profoundly encyclopedic among us can drop the ball; and while to some that might seem disillusioning, to me it's reassuring. After all, no one truly grasped Blake's genius in his lifetime, or van Gogh's. Sometimes our greatest minds can be the wrongest, something both Einstein and Newton acknowledged. It's not always the clamouring fools, or the rancorous or unprescient. It's all of us-- or, in most cases, most of us. Now pause on that for a while.

Res Ipsa Loquitur

Because I Haven't Done An Entry Like This In A While...

No. Comment.

Brother, Can You Spare $218.88?

Oh, woe is me....

Once again I’ll have to miss a Van Morrison concert in Toronto, all my trawling for sugar mamas having come to no avail. *pout* His gig at Bluesfest in Ottawa is getting good reviews, though it sounds very much like he’s sticking to his recent setlist of material: Brown-Eyed Girl, Gloria, Days Like This, Have I Told You Lately, Gloria and Moondance; in other words, the moneymakers. Like Dylan, Morrison has a huge canon. He could mix it up a bit, and if I had the funds I’d rather hear some of the old ass-kickers he used to do: a Caravan that veers into James Brown’s Sex Machine; an epic Lonely Avenue that tears through every bloody tune known to man; a staggering And The Healing Has Begun; or even one of those takes on Summertime in England that has wowed just about every lass I’ve ever dated. (There’s a pale version of the last here.) But ’tis neither here nor there, as I won’t be there tonight. Again. Excuse me while I go and sulk in a corner.

Yeah, and Dylan’s in the neighbourhood, too. Fucksticks....

Footnote: If you’re curious.... And it's raining today, too....

The Evidence Of Things Conveniently Not Seen

I don't want to write too much here about The Shrub's ludicrous commutation of Scooter Libby's sentence, especially since I think most of us with empirical minds will agree that the Official Line is utter balderdash.  But Andrew Sullivan-- a conservative after all, though not a NeoCon, but a (gasp! Heaven forfend!) gay one at that-- says it best:

We now have a clear and simple illustration of the arrogance of this president. Tell the American people the core narrative of this monarchical presidency: this president believes he is above the law in wiretapping citizens with no court oversight; he has innovated an explosive use of signing statements to declare himself above the law on a bewildering array of other matters, large and small; he has unilaterally declared himself above American law, international law, and U.N. Treaty obligations in secretly authorizing torture; he has claimed the right to seize anyone in the United States, detain them indefinitely without trial and torture them; his vice-president refuses to abide by the law that mandates securing classified documents;  and when a court of law finds a friend of the president's guilty, he commutes the sentence.

Duh.  No offense to Andrew, but hasn't the evidence for this arrogance-- the clear and simple illustration of which-- been in superfluous availability for years?  Let's not pretend this is the first, or even the tenth, instance of indication.  And yet the press still-- still!-- refuses to Joseph Welch this serial perpetrator of mendacity.  He combines, in spectacular fashion, Nixon's corruption with Carter's ineptitude and Johnson's bluster.  Yet the gallery demures.  In the age of Conkrite or Murrow, this would not have gone unanswered; and in the age of Mencken.....

It's a Mochrie, I Tell Ya...

Sorry, folks: not much for blogging lately. If, however, some of you retain doubts about the onanism of so much contemporary scholarship, check this out (PDF version here). It’d be risible if it weren’t so humourless--- and so manifestly typical.

Gawd, though, I miss the British Whose Line.

And, in a totally unrelated item:  let's simply say that from this place, you don't want to request extra sauce.  *shiver*

Random Souse

Seems Zelda has tagged me with one of those silly memes.  Oy.  I'm supposed to state the rules, which are:

• I have to post these rules before I give you the facts.
• Each player starts with eight random facts/habits about themselves.
• People who are tagged need to write their own blog about their eight things and post these rules.
• At the end of your blog, you need to choose eight people to get tagged and list their names.

Okay, eight random facts, eh?  Hmmm.... Are there even eight facts about me?  Forkstix.   

1. I hate-- loathe, despise, virulently detest-- writing about "me."  Experiences are fine, but ask me to write anything in description, categorization, figuration, etc., of myself, and I get downright surly.  And terse.
2. I have probably had more nicknames, monikers and soubriquets than a broken bluesman.  So many, in fact, I don't remember all of them anymore.  I have contained multitudes.... 
3. I am probably the only blogger in the world to have written about, or even mentioned, Flora Robson in the past month.  I am therefore either arcane or anachronistic.  Take your pick.
4. In case you haven't noticed, I'm having a very difficult time completing this thing.  Seriously.  See point #1.
5. I firmly believe all will be revealed to each of us-- the meaning of life and all that palaver-- exactly two seconds before we die.  I am convinced this is part of Dog's profoundly warped sense of cheek.  I'm not sure I believe much more than that anymore.
6. I badly need a hair-cut.  Again.  Am getting that swarthy Celtic look.  Again.
7. Have been rereading John Donne lately.  Infer from that what you will.
8. I get bored very, very easily.  (Obviously.)  I wanted to end this meme five points ago.  *shrug*

Okay, now consider yourselves tagged.  I'm off to pick up beer.

The Trickiest Dick

Well, it's only a little late-- how many years and lives since?-- but the Washington Post has issued the first of a four part series examining the machinations of Dick ("Go fuck yourself") Cheney.  Very little of it will surprise, I'm sure, but some of the details and the manipulations are downright eerie.  And, I tarry to say, not a little reminiscent of Angela Lansbury in The Manchurian Candidate. 

Footnote:  The more I learn about the inner working of the ChainGang, the more I find sympathy, partial and otherwise, for figures like Ashcroft, Rumsfeld and even the President himself.  They seem more and more like characters from a French farce stuck in a geopolitical version of Othello.  The hapless Desdemona, of course, is played by the American constitution. 

Frags and Shards

Not much to report from these dull but summery quarters, but maybe a few things of interest:

• In a move entirely too rare these days, Bytescout has shifted its blogging programme Post2Blog from pay-ware into freeware. It’s a flawed but basically solid editor, and one of its niftiest components-- conspicuously missing from heavier counterparts like Windows Live Writer-- is the automatic loading & storage of pictures on Flickr or ImageShack. If you’re running a blog, it’s worth checking out. Also includes emoticons & other neat little bits & pieces.


• Finally saw Knocked Up, which, though clumsily made, is something of a pleasant surprise, and I was impressed by the script’s willingness to make all of its characters, at one point or another, deeply flawed in one form or another. And, well, let’s just say that there are a lot of moments in it that ring astonishingly familiar. Good on it. I’m a little perturbed by the ways in the which the American punditocracy is using the film as a reason to dredge up the ever-circular abortion debate, but as someone once observed, in American politics, everything is about abortion.


• Those of you in Toronto for the next week with an interest in textile art might want to check out the Marie-Jose Danzon retrospective being held at the Gladstone Hotel until the 23rd. See here for a pair of samples.


• Today being Father’s Day, you might want to read about this martyr bloke. He gives new meaning to the old saw about grinning & bearing it, especially since you know that he hasn’t seen the inside of his own bathroom in twenty years.
  

Have to spend the next bit going over medical reports as part of my current freelance work. Almost thinking I should start impressing business cards identifying myself as a "freelance language advisor." Off to it. Enjoy thy weekends all.

Fuzzy Thinking

If you haven’t seen Hot Fuzz yet, do so ASAP. Yes: it’s funny, it’s cheeky, it’s smarter than hell. But here’s something you probably haven’t heard: It’s breathtakingly economical. There’s not a moment of fat in it, every scene, and almost every bit of every scene, proving relevant to something elsewhere in the movie. You wouldn’t expect such a film to be put together with such contrapuntal technique, but there it is, and it’s an impressive feat. It’s also deeply allusive, for those of you into that sort of thing. I spotted allusions to Yojimbo, Once Upon a Time In Mexico, The Omen, The Wicker Man (the original), Straw Dogs and Chinatown, among others. Bloody clever--- and yes, a bloody lot of fun. See it.

BTW, this page is loading very slowly because of some scripts and links to Enetation in the UK. Unfortunately, I can’t be bothered to go through the trouble of removing all such stuff right now. Oy. My apologies. Maybe I’ll get around to it sooner or later.